next »



#BECOMING010

Exocapitalism: economies with absolutely no limits (2025)


by Marek Poliks & Roberto Alonso Trillo

13x19cm200 pagesColour€15


Specifications:



Dimensions: 13x19cm 
Binding: Perfect Bound 
Pages: 200pp.
ISBN
: 978-9925-8156-7-8
Paper
: 300g/m2 Bilderdruck Matt & 80g/m2 Munken White
Language: English
Released
: 1st August 2025


Credits:



Author: Marek Poliks, Roberto Alonso Trillo
Features: Charles Mudede & Alex Quicho
Art & Design: Palais Sinclaire
Layout & Typography: Polymnia Tsinti

View in store

Marek Poliks is a researcher in the philosophy of technology, especially with respect to deep learning. He’s based in Minneapolis, Minnesota. Marek and his primary research partner Roberto Alonso Trillo (HKBU) have been working to situate deep learning tools as endosymbiotic reproductive infrastructure (inorganic vehicles through which biological, epistemological, and social information is encoded, subject to contingent processes, and transmitted).

Roberto Alonso Trillo is a theorist and artist whose work spans cultural theory, media philosophy, and experimental sound. Based in Hong Kong, his research engages the aesthetic and political dimensions of machine learning, with particular attention to infrastructural critique and performativity. In ongoing collaboration with Marek Poliks, he investigates AI theory and speculative design as part of a broader inquiry into automation and cultural production. His interdisciplinary practice extends into sound art, post-instrumental music, and critical pedagogy.



Up next is a big one — EXOCAPITALISM — brought to you by the minds behind the Disintegrator podcast. This is a rigorous and mind-blowing account of the dynamics of capitalism today through an in-depth exposition of software, speculative finance, and the highest scales of arbitrage. At the centre of their argument is the idea that capital does not belong to humans, it belongs to—and is governed by—itself. Traditional economic theory struggles to keep up with the rapid rate of acceleration, and this book steps in to address this:

"The critical orthodoxy is slowing; it’s tired, it’s not especially good at the internet, it’s probably never manned a Starbucks counter or an anonymous cubicle. Its younger adepts – though digitally native – are chronically underemployed, unavailable, drowning in the student debt (or student opportunity cost) required for entry into the critical apparatus. Few have any patience for the numbing slop-speak of the LinkedIn economy, the libertarian enclave of forex and HFT and memecoins, the quarter-zip depravity of employment at the charnel houses of McKinsey or Deloitte or Accenture, the blazingly random mood-swings of venture capital that lubricate all of the above. This impatience is – in the parlance of the above – a blocker: it means that the critical apparatus underestimates the power of the software economy, struggles to articulate the morphological density of digitally-realized capitalism, comprehensively ignores the functional death of labor, and doesn’t understand scale."

This book details, like no other book has yet, how capital is miraculously gleaned from the abyss like Lucretian matter that creates more matter from itself:

"Our cosmology borrows foremost from Elena Esposito and Suhail Malik, whose work on financial ontology we hold in an almost sacred loose-grip. From Suhail Malik, we come to interpret a fundamental axiom at the core of capitalism as we understand it, that inefficiency (time-dilation, friction, interposition, mediation) is the same as value – a principle contrary to that enhoused in Marx and Weber and their heirs, for whom capitalism is the reckless scramble for time-efficiency at all costs. This principle also flips the Marxian construction of value on its head, from a thing that is extracted by a capitalist from a labor force, to a thing that can be generated out of nothing, independent from any material logics, simply by virtue of the interposition of latency between worlds."

While at times, the language is academic, precise and drenched in meticulous citations, a vivid and charismatic voice takes charge throughout:

"Mergers and acquisitions happen constantly, a wet market where hulking translucent beasts swap organs with each other for liquidity, or where freestanding, inchoate bodies are pulled in into endosymbiotic relations. Blobs accrete to titanic scales, at which point they either bud off with parthenogenetic thrust or become so dotted with advanced cancers that they cease to be recognizable as single blobs at all. Others just pop into puffs of spores.— It’s hard to even situate this organ market as competitive, it’s a free-for-all of limitless organs. These translucent hulks simply reach through each other. Sometimes they get stuck and merge."

There are three chapters dedicated to three philosophical concepts that exemplify the theoretical work being done here: Fold, Drag & Lift. These well-elaborated concepts help situate this theory within a very contemporary discourse, one which winks at Baudrillard or the CCRU; one where, as Achim Szepanski wrote: "Capital might, at moments, seem like the Evil Twin of Deleuze".