BECOMING PRESS



Unconscious/Television

(2025)



by Lucas Ferraço Nassif

****Second Edition Coming October 2025****

View in store(link coming soon) 


Authored by Lucas Ferraço Nassif
Editing by 0nty
Art & Design by Palais Sinclaire
Layout & Typography by Polymnia Tsinti

Metadata:


Cat#: BECOMING008
Dimensions: A5
Binding: Perfect Bound 
Pages: 218 pages
ISBN: 978-9925-8156-2-3 (Print)
Language: English
Edition: Second
Released: October 2025

To be cited as:Nassif, L. F. (2025) Unconscious/Television. Berlin/Nicosia: Becoming. 978-9925-8156-2-3.




About:


This book stems from the author’s discontents with Lacanian Psychoanalysis, by drawing from psychoanalysts like Félix Guattari and Sándor Ferenczi, as well as authors like Viveiro DeCastro, and Thomas Lamarre, to whom the book is dedicated.

The book is dedicated as such because the author is responding to certain groundwork which is laid by Lamarre, who authored two books on Anime, and who inspired Lucas to break out of Western Psychoanalytical discourse by studying Japanese Animated Television. Television is different to Cinema, because it is in-the-middle of everything, it has a body, it emits warmth: the author reminds us of the image of Godard hugging the television. Like in Lamarre’s work, Unconscious/Television holds high value in the “limited-animation” found in Animé which refers to multiplanar compositions, this technique of combining still and moving images. The author takes a special interest in the “in-between” of the layers when elaborating on concepts like the Unconscious, the Lamella, and the Thalassa. 

The book is experimental in form, as the six-texts that is it composed of have been cut-up and re-ordered, and then split once again into four parts with three dynamic intersections. We have folded the form of the book back in on the text itself, to create a demonic fusion, which, as we see in Devilman CryBaby, can become weapons against the Symbolic.


“In a delicate move, Lucas asks us to consider the material parallax between animation-planes as more than a simple optical illusion. He asks us, after Guattari, to reconsider the “iron curtain” between the traditionally Lacanian abstract-machines of the unconscious, and the machinic processes of what Guattari himself already diagnosed, in film, as ‘asignifying’ semiotics, as semiotic forces outside of language and representation. Guattari, who was well aware of the emerging field of extended cognition promoted by philosophers like Francisco Varela, asks us to adopt a decidedly cybernetic point of view in noting that the ‘unconscious’ reaches ‘down’ into material infrastructures just as these same infrastructures reach ‘up’ into the Freudian psyche, the psyche which, we have to say, Freud himself declared ‘extended’ in his dying breaths. The relationship between the Unconscious and Television as articulated by Lucas, is in fact one of mutual relation and causality, rather than ideological distance between material processes and a ‘cultural’ or ‘psychological’ superstructure. It is not enough, Lucas’ methodology suggests, to interpret Television as a frame for narrative, to subject it to an ideological deconstruction which remains, as Guattari suggests, far too ecumenical.” — from the Lettre de l’éditeur by 0nty






“Les inconscients ne sont pas structurés comme un langage, ils sont comme des garçons.”




“The Unconscious is not structured as a language, it is structured like... the boys.”


 

Peer Reviews:


Christine Greiner:


Chair of the Department of Art
São Paolo Pontifical Catholic University
“The new book of Lucas Ferraço Nassif about the Becomings of Unconscious Television will certainly be a fundamental reference for several fields of knowledge – from anime and media studies to literature, visual arts, psychoanalysis and even fashion. It is probably one of the most original and audacious narratives written in recent years. The organization was conceived in partnership with the editorial team, and the result is a dynamic game of metamorphoses between content and form, without the traditional dichotomies. During my reading, I thought about a book becoming a film (or anime), a visual narrative becoming gesture, and all these images becoming an internal musical composition. The dialogues with Thomas Lamarre, Sandor Ferenczi and, of course, Gilles Deleuze and Félix Guattari reverberate in the flesh. 
            In the first pages, Nassif quotes Isabel Ghirardi: “language is secretion”. I immediately thought about the butoh dancer Hijikata Tatsumi, who used to say: “expression is secretion”. Let’s keep this in mind during our reading. This will be a powerful strategy to make words, feelings and images flow through our bodies reinventing ourselves.”

Bernd Herzogenrath:


Professor at Goethe University of Frankfurt
“This book is one of a kind: a beneficial bomb! Lucas Ferraço Nassif is not content with destroying a certain traditional brand of psychoanalitical criticism, he offers bright new vistas: updating Lacanian Theory to new mediaphilosophical levels, infusing it with a pinch of deleuzoguattarian schizoanalysis, following the logic of the dream, waves of productive chaos crushing against oedipal academy. The wonderful design of the book is not a gimmick: it’s a generous eye-candy that nourishes and backs up the book‘s conceptual force. They made a dream-team, and this fractal structure really invites readers to grow their own crystals at each and every point … a remarkable achievement!”







Persis Bekkering:


Writer
"How to imagine a psychoanalysis that dethrones the symbolic order? Jacques Lacan, but make it process philosophy. Schizoanalysis, but make it multinaturalist. Theory blossomed during the heydays of television and this book somehow reads like an artefact from those bygone days, but written by someone plugged into a terminally online unconscious – an unconscious saturated with moving images (on the small screen), not written like a language. I have to be real: Unconscious/Television puzzled me. I don't know if it is intended to be understood on the level of meaning or content. It is composed to be experienced. Words behaving like animated images, written in a metonymic chain of jump cuts. That makes Lucas Ferraço Nassif's work really exciting, and proves Becoming Press once more as the most forward thinking publisher of today."







Thomas Lamarre:


Writer
"Unconscious/Television is as tenacious as it is audacious in its bid to trace the electric torsions of anime.  Lucas Ferraço Nassif provides a series of brilliant demonstrations, remonstrations, and ultimately monstrations that what is (temporarily) excluded from attention is the very event, the whole show, the stuff of television."



David Ferragut:


Editor, Ph.D Candidate
"Unconscious/Television is as tenacious as it is audacious in its bid to trace the electric torsions of anime.  Lucas Ferraço Nassif provides a series of brilliant demonstrations, remonstrations, and ultimately monstrations that what is (temporarily) excluded from attention is the very event, the whole show, the stuff of television."




Bio:


Lucas Ferraço Nassif holds a Ph.D. in Literature from the Pontifical Catholic University of Rio de Janeiro. He’s a researcher at the Cinema and Philosophy Laboratory, part of the NOVA Institute of Philosophy, and a member of the Portuguese Center of Psychoanalysis. Director and editor of the films Reinforced Concrete, Being Boring, and Unfamiliar Ceiling/The Beast; and author of the book Missing Links, published by Barakunan, and awarded by the Association of Moving Image Researchers [AIM] in Portugal as the best monographic book of 2023.

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